Daniel R. Smith
The up-coming film The Fifth Estate, about the news-leaking website WikiLeaks and its founder Julian Assange, is not a thriller or a piece of Hollywood entertainment. It is a tragedy that would rival Sophocles’ Oedipus Rex. Having, of course, not seen the film, such a claim is meant not as a review on its merits as a work of art. Instead it is a claim to its function as a piece of fiction in today’s mediated culture where politics is a matter of spectacle and where narrative(s) competes for a unitary story. The story of WikiLeaks and Assange as its tragic hero is a story that encapsulates our age; the age of constant incredulity to any information and a life where politics is a theatre viewed through media-filters of competing sources and contested dialogue. Continue reading